Task 3a
From recent experience I have found it very important to
create networks of contacts that can help me forward with my career. Have you
ever heard the expression “It’s not what you know but who you know”?
Unfortunately, or fortunately I have found this to be true, but... not as true
as “It’s not who you know but how you know them”! It’s human nature that you
would ask someone to help you that you know you could trust over someone who
you didn’t know at all or didn’t know very well, and it’s the same at
auditions.
If you were dancing in a strong group of girls in front of a
panel of employers they’d more than likely take a girl who they knew or had
been recommended to them by someone reputable that knew both parties than
someone who they didn’t know at all. Sometimes it can be frustrating especially
when you know that the girl they have taken may be slightly weaker than you,
but that’s why it is so important to create a professional network and a great
motive to get involved.
I like to make a conscious effort to attend classes and
workshops when I’m at home to get my face seen. When I attend these, even
though I know there isn’t a job at the end I like to act like I’m at an
audition, trying to create a good first impression so that people will remember
me in a good way. It’s not all about dancing though, and sometimes it can be
difficult but I like to try and talk to new people and find out things like who
they’ve worked for, what they have enjoyed and generally be friendly.
As you work with more
and more people you encounter people who have worked in many different areas.
Maybe one of these people had your dream job and had a close contact that could
help get you closer to getting the job than you would be if you had no contacts
at all.
Another good idea is to join an agency as this is like
joining an instant network that has already been created for you. Agencies have
pros and cons as usually if you get work through an agent you would have to pay
them a percentage of your wage but often you are more likely to be employed
with an agent for particular jobs than without as the employers trust who the
agents send even if they don’t know the person who they have given the job.
Usually you would have to audition to be a part of the
agency but then it’s the agents job to find work that you are suited for. So
already being with an agent can put you a few more steps up the ladder to
getting the job.
I think it’s also essential to make use of the technology
that is available to us. Social networking sites such as Facebook and Twitter
are a brilliant source for making new contacts and creating cyber networks of
possible employers, agents and likeminded people who work in the same business as
us. The profiles on these sites can be a help as to whether you would really want
to make contact with a particular person, what kind of work they provide, etc.
Going back to
professional communication technology we have realised how important it is to
understand that it is just as important to give off a good cyber impression of
ourselves as it is in person so keeping these sites as professional as possible
is important (or as Ethnie suggested, creating a professional and personal site
is also a good idea).
It also seems that the hardest point of social networking is
starting out. It’s as if you need that first job to prove yourself. The more
work you have had the more likely you are to be employed again (in a lot of
cases). Also I find that being away you can be forgotten about so it’s important
to keep contact within the networks strong so that a chain isn’t broken.
I imagine my ideal network to look like a web made out of
chains of connections. The more connections that I make add to the web making
it bigger and stronger and therefore more likely to catch work from employers.
I also understand that the web chains can become broken and that it’s important
to keep them strong by keeping in touch and not fading away into the distance.
I admire practitioners such as Heather Morris, who plays
Britney S pierce in Glee. She is an amazing dancer with many different work
credits including dancing on tour with Beyonce. I wonder what her professional
network is like and I wonder how many different contacts she has made in her
career so far. She is someone who I would like to know more about and if I
could I would ask her for advice on professional networks.
Dear Emily,
ReplyDeletethank you for the insight you gave into your professional world. One of my initial thoughts was that I could not do that ( all the auditions and constantly marketing yourself, making connections) and that I really admire people, who can.
I think the more people you know in a certain field of cultural production, the denser the web you can rely on gets.
Keep courage and fight on..!
((O; ...all the best!
I like the idea of a web made out of chains from a visual aspect, making these connections are essential for a dancer to be used. Also once a connection is made, that opens up a world to more connections, much like that of an agency!
ReplyDeleteI really liked this piece, it is very clear and easy to understand! =D
HI Emily,
ReplyDeleteYou described and summarised a professional network for the world of a commercial/musical theatre dancer really well. The piece shows how much networkingin the dance industry is a part of every aspect of your life. We are constantly 'online' with this side of our job, talking with other dancers, absorbing their information and experiences like a sponge! To be a dancer is to welcome these aspects into every day and moment of our life. You never know where the next connection can take you!
Hi Emily,
ReplyDeleteI agree with your saying 'it's not what you know, it's who you know' and as you said can be very frustrating in an audition. I sometimes feel the industry is a little too much about favouritism and looks, more than I would like! The idea of having two sites, one for professional and one for personal is something I think I would like to look in to. Have you done this and how are you finding it?
It was nice to hear everyone else's opinions, thank you for the feedback. To get back to you Rebecca i don't have two profiles, only one which is my personal one. I had seen that having 2 profiles is what Ethnie does and was considering making another one only for professional use.
ReplyDeleteThinking about it though, to make it easier for yourself I think that you could get on with just your personal profile. Facebook have made a lot of updates recently including choosing which contacts get to see particular things about you. I have tried to modify my profile in this way so that certain contacts can only see certain photos and information like wall posts etc.
I am also careful not just from the possible future employers point of view but also when I am home I often teach at my old dance school and a lot of the children have added me as a contact so I don't want to be a bad role model for them. If I think something is inappropriate on my profile I like to remove it and I'm also careful with the language that I use as well. I do however think it's good to be able to show some of your personality. It's not bad to show who you are online and maybe with a strictly professional profile you would be more inclined to hide this. What do you think?
I think it also ties in with Alicia's comment "you never know where the next connection will take you" as sometimes you won't realise what a valuble contact you've made or even that you've made a contact. Sometimes it's difficult to determine whether it's professional or personal and what is personal could become professional in the future.
What do you think?